南方艺术

沦陷在厄瑞玻斯的怀抱：李胤个展

来源：中国南方艺术

2012-09-28 02:31
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　　展览主题：沦陷在厄瑞玻斯的怀抱-李胤个展
　　策展人：李苏桥
　　展览开幕：2010年10月10日下午4点
　　展览日期：2010年10月10日-11月19日
　　展览地址：北京空间画廊（北京市朝阳区草场地红1号院C4座）
　　电话：+8610 51273246 传真:+8610 51273246
　　
　　Exhibition Theme: Falling in the arms of Erebus-Li Yin Solo Exhibition
　　Curator: Li Suqiao
　　Opening Reception: Oct.10th, 4pm
　　Exhibition Dates: Oct.10th-Nov.19th,2010
　　Add:Gallery Beijing Space
　　（No.C4,Red Yard,CaoChangdi,Chaoyang District,Beijing,China）
　　Tel: +8610 51273246   Fax:+8610 51273246
　　
　　李胤手记
　　
　　在两年时间里，反复的涂抹和撕毁占用了我大部分时间和精力。内心的彷徨和怀疑在不知不觉中，让我感觉到无所适从的乏力。在这个悲观的年代，我也成了一个悲观主义者，数次乐天派的扮演，让我发觉自己还是适合前者。作为一个地道的悲观者，只有在那片情绪的盐碱地里，我才能了解自己。
　　
　　“沦陷在厄瑞玻斯的怀抱”似乎与这一季节的热浪格格不入。厄瑞玻斯（Erebus），接引人世与冥府的黑暗之神，一个微小的动作，世界便阴云密布，而在这片暗沉包裹下的人们，就算撕破喉咙也无法宣泄内心的沉重：在抑郁中粉碎。
　　
　　我只想，借厄瑞玻斯的悲恸，抓住观看者的丝丝情绪，缓缓浸入数九天的冰水，体验彻头彻尾的窒息，感受生命不能承受的压抑。
　　
　　总是在寻觅，一个通往忧伤的秘密通道。我渴望用各种方式来洞悉一个近乎绝望的年轻面孔：当他被悲哀没过头顶无处抓拿，当他们被生活舆论压的无处可逃。我试图和这个备受争议的群体一同，在川流熙攘，物欲横流，道德倾塌的都市生活奔走。
　　
　　这批作品中，水是载体，它温和缺乏棱角的背后是伤怀的钝痛，我要用它流淌的律动，来刻画水随天去的迷茫与旷远。至于浸泡在里面的人儿，不论冷暖，都麻木地随波逐流，就这样被冲刷掉性格与犀利，有如工业时代下流水线上的产物。现实，这个无可抗拒的幕后推手，从不过问心之所向。
　　
　　我不能质问这个追名逐利，险象环生的社会对人精神的蚕食，信仰信念渐行渐远，背起背离正愈演愈烈，我无力颠覆时代，却有心成为真实的守望者。
　　
　　In the past two years, I spent most of my time and effort repeatedly scribbling and tearing up artworks.
　　Not knowing what to do results in both huge fatigue as well as hesitance and doubt. In this age of pessimism, my efforts at optimism are worn down until I gradually have become a pessimist too. In fact, this is perhaps who I truly am. As a downright pessimist, I can only find myself when buried in the barren of my emotions.
　　
　　Erebus, the god of darkness, carries souls of the newly deceased across the Acheron River to their eternal destination in underworld. Even a small action by Erebus, can create darkness in the world. Because people are wrapped in darkness, even they shout at the top of their lungs, they cannot rid themselves of their depression. As a result, they are broken into pieces by that depression.
　　
　　I only wish to observe and understand the full range of the audience’s emotional reactions to this depiction of Erebus’ sorrow. By submerging their reactions in icy water, I can experience the feeling of suffocation, to feel the depression that life cannot bear.
　　
　　Always searching for a secret passage to melancholy, I look forward to a variety of ways to discern the face of a near desperate youth, when he or she is overwhelmed with sadness and is all at sea; with no one to turn to and nowhere to escape from the pressure of public opinions. I tried to live my life with the crowd in a world of hustle and bustle, full of materialism and moral collapse.
　　
　　In this series, water serves as the carrier. Beneath the surface of its gentleness and lack of edges and corners is her dull pain. I intend to use the rhythm of its free flow to describe its sense of being lost. As for the worldly people soaked in it, institutionalized, numbed, they go with the flow, lost their characteristics and sharpness, in the end, resembles the outcome of a production line. Reality, this undeniable manipulator, never shows the slightest interest of what they really want to be.
　　
　　My voice is weak in interrogating the society for spiritually corrupting people. In a time when our belief and our faith is drifting away slowly, I cannot overthrow the age, but I wish to stay true to myself.
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