独角戏:杨培江教授个展
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独角戏——杨培江 教授个展 主办单位:红玫瑰白玫瑰现代美术 策展人: 穆妤 参展艺术家:杨培江 展览时间:2010.7.10-2010.8.8 开幕酒会: 2010.7.10,15:00 展览地点:上海莫干山路50号创意园区 4号楼102 红玫瑰白玫瑰现代美术 电话/传真: 021-62980729/62980729 信箱:redrosewhiterose@sina.cn One Man Show ——Yang Pei-jiang Solo Exhibition Organizer: Red Rose White Rose Asian Art Curator:Mia Artist: Yang Peijiang Time: July 10 — August 8, 2010 Opening: July 10, 2010 3:00pm Location: Red Rose White Rose Asian Art 4-102 M50 Mo Gan shan Road.Shanghai Tel/Fax: 021-62980729/62980729 E-mail:redrosewhiterose@sina.cn 无疑,杨培江是一位本色的艺术家。汕头-惠村-隆都-西浦,他的艺术路线很简单,他把目光投向农村山野,认为艺术的意义并非是一种思维游戏,而是来自对生活中最为真实情感的收集和品味,艺术家不是一个天马行空的梦呓者和观念批发商,而是要忠实于他所熟悉的所能投入情感的一切。 杨培江的作品媒材涉及油画、国画、水墨、彩墨、综合材料,虽然他广泛涉猎各种媒材,意图在自我挑战中安慰自己,然而又顽强的实践着他对艺术的认识和对一种既定的艺术生活的想象。他是他那个时代艺术教育的忠实追随者,他的这种另类的坚持把自己从大的文化背景中划分开来,然而他一以贯之的坚持、纯粹的坚持、忠实自己的坚持,像在安身立命的独角剧中自在出演自己。 杨培江的作品所呈现的是潮汕农村大风景那种特定的气质——秀逸中的粗砺,清婉中的野莽。即便是女人也有着气场充实的自然状态,每一自然状态下的女人都在画幅界定的独立气场中演绎自己。 各种媒材在画纸上自成方圆,材质性质的不确定性和互相产生影响的偶然性形成的画面使人怀疑,作品的媒材和艺术家在某种气场中顾自坚持,而达成某种生命的质感。 Undoubtedly, Yang Pei-Jiang is an instinctive artist. Shantou - Hui Cun - Long Du- Xi Pu,his art route is very simple. He focused on rural field, and thought that the meaning of art is not a thinking game, but the collection and taste from the true feelings about life. The artist is not an unconstrained somniloquist or a wholesaler of conceptions, but should be faithful to what he is familiar to and can put his emotions into. Yang Pei-Jiang’s artworks are with different materials, including oil painting, traditional Chinese painting, ink, color ink, mixed material. He widely used many kinds of materials, and was intent to comfort himself by the challenge. However, he kept on practicing the realization of art and the imagination of the fixed art life. He is the faithful follower of art education in his era. Because of his special insist on art, he devoted himself from the big culture background. In the other hand, just this pure and faithful insist on art, made his art life is like an performance in an One Man Show. Yang Pei-Jiang's works show the particular and great scenery in Chaoshan rural - the temperament of the ruggedness out of comeliness. Even a woman is also full of natural state. Every natural woman performed herself in the independent state. All materials on the drawing paper has its own system and style. The uncertainty and mutual influence on paintings make us doubt that the media and the artist insist independently under some atmosphere, and then formed a certain sense of life. |
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